Opiniones Electro-Harmonix Metal Muff ( 7/10) - 3 opiniones de usuario

En todo el mundo, nuestros 46 usuarios han notado este producto:7/10

3 opiniones de miembros sobre Electro-Harmonix Metal Muff en español

Idioma	Miembro	Características1	Utilización2	Calidad Sonora3	Opinión Global4
	James...
	Everlone
	mooseherman

• 1↑. ¿Cuáles son los efectos, o tipos de efectos disponibles? ¿Cuál es la tecnología utilizada ? (analógica, digital, de tubos...) ¿Se pueden editar ? ¿A través de un editor en Mac/PC? ¿Cuáles son los tipos de conexión? (Audio/MIDI) ¿Se trata de un modelo rack o que se puede montar en rack?
• 2↑. ¿Es sencilla la configuración general? ¿Es fácil la edición de los sonidos o de los efectos? ¿Es claro y suficiente el manual de usuario? ...
• 3↑. ¿Son eficientes, adaptados y suficientemente realistas los efectos? ¿Con qué tipo de instrumentos los tocas? ¿Cuáles son los que más te gustan, que menos te gustan?
• 4↑. ¿Desde hace cuánto tiempo lo usas? ¿Cuál es la particularidad que más te gusta, que menos te gusta? ¿Habías probado muchos otros modelos antes de adquirirlo? ¿Qué te parece la relación calidad/precio? ¿Con la experiencia, elegirías este producto de nuevo? ...

• 08/01/12

  La opinión de James... (traducción) Mejorar esta traducción "Mesa in a box"

  See the translation of this user review with Google translate

  Características

  Standard distortion box layout. Bass middle treble. Boost, volume, gain. Pedal is digital and I don't believe it's true bypass judging from my ears. Seems solid though. I actually had one of these years ago and recently bought one to see if I still liked it. Neither have had issues. Although they guzzle batteries quickly. I suggest getting line power.

  Utilización

  First thing is first. The boost isn't really that usable to me. It changes the volume but also the tone, very drastically. It changes the tone so much that it's like you turned on another pedal or something. So I really never use it. You would think EHX would fix this. The knobs also have some odd tolerances and sometimes turning something just a notch can have a dramatic effect on the sound. I have to duct tape my knobs once I get the settings right or I'll bump them and ruin the sound. Overall it's not a perfect design in utility.

  Calidad Sonora

  Here's what's good. If you feed this into a Fender or Fender style clean channel, it turns the amp into a mesa rectifier for all intents and purposes. Everyone is always looking for that high gain in a box pedal that doesn't sound like a bunch of flies buzzing around. This is that pedal. It's very defined and chunky gain. Probably one of the best recto simulators I've ever played. It isn't to be confused as a fuzz though. While the gain does have a fuzzy quality this is not a fuzz pedal.

  Opinión Global

  It does have its functional flaws and the boost changing the tone is a big let down. Some players might not be as bothered by this. The sound is next to amazing and I'm chocked at how this can turn a very sterile clean channel into a full on high gain mesa lead channel. I'm not a fan of distortion pedals over overdrives but this one has impressed me continually.
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• 05/07/11

  La opinión de Everlone (traducción) Mejorar esta traducción "Metal-meh"

  See the translation of this user review with Google translate

  Características

  The Electro-Harmonix Metal Muff with Top Boost is an analog distortion pedal. The “Top Boost” feature boosts certain frequencies for solos and has its own level control. It can be powered by 9 volt battery or the included power adapter.

  Utilización

  The Metal Muff is extremely easy to use. It has six knobs and two buttons. It has a knob for the Top Boost level, gain, lows, mids, highs, and over all volume. One footswitch turns the pedal on and off and the other engages the Top Boost. I briefly glanced over the manual, but the pedal is so self explanatory there is almost no need for it.

  Calidad Sonora

  I use the Metal Muff with a Gibson Les Paul Custom and a Guild S-300D. In my experience I have found that there are not a wide variety of USABLE tones in this pedal. The equalization knobs tend to have one, possibly two, sweet spots in their range of motion. Any more or any less and the tone becomes too harsh or too stifled. I actually think having the Top Boost engaged with the knob set to about 8 o’clock makes the whole pedal sound better and I will often leave it on all the time. This pedal has massive amounts of gain on hand. I usually keep the gain knob set anywhere from noon to 3 o’clock.

  Opinión Global

  The Metal Muff has a ton of potential, I only wish it had a more user friendly EQ. J.D. Cronise from The Sword uses one for his distorted tone and it works extremely well for him. I would recommend demoing this pedal with the same make and model amp you own before buying. Knowing what I know now I probably would have gone with a different high gain distortion box. For now it will remain the back up distortion pedal in my rig.
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• 09/02/10

  La opinión de mooseherman (traducción) Mejorar esta traducción

  See the translation of this user review with Google translate

  Características

  The is a very heavy analog distortion pedal. The model I played had a sick feature called top boost. It can't be edited through a computer, and it's not rackable. It's got your basic 1/4" input and output, and has a power adapter.

  Utilización

  The sound effects editing is pretty easy. There are six controls on this pedal. (Volume, Top Boost, Treble, Middle, Bass, and Distortion). The distortion knob controls gain, while the Top Boost function contributed to the higher end of your tone, making the aggressive sound of the Metal Muff better for heavier stuff. The manual explains everything pretty clearly, but it would probably only require one good read-through anyway.

  Calidad Sonora

  This thing is one of the more intense distortion pedals I've ever played. I was curious to see how it would compare to its cousin, the more famous Big Muff. The main thing I noticed was the name was no joke; this is a metal pedal through and through. As such, its appeal is limited. I personally grew out of metal years ago, and I feel as though this pedal doesn't deliver the midrange that I love so much in the Big Muff. I also feel like the regular big muff has all the distortion I want, but also a lot more warmth than the Metal Muff. As such, I wasn't such a huge fan. A metal player who prefers early 90s and late 1980s tones (Dimebag Darrell, Metallica) might really dig this pedal. The top boost feature especially makes it cut through some of the more dense mixes, and gives your leads a piercing tone that really kills it. However, the lack of midrange sort of kills the pedal for me in my book, as it doesn't do any other genre much justice. It's too bland to be used in a rock context, especially since it's got sort of an artificial brightness. Metal isn't my thing, but if it was, I'd probably be using this guy a lot more.

  Opinión Global

  I have to say, I like the sheer power that this pedal has. Sometimes if you're in the mood to create a lurching metal riff, you need just the right pedal, and this is certainly good for that. However, I usually demand more versatility out of my pedals. I don't think that this pedal is particularly versatile at all, in fact, its frustratingly monotonous. I think that for the price, it's not bad. Certainly metal players looking for a really good tone would be well-advised to spend a lot of money on this. However, I don't really think that it's worth it for anyone else. Other players would be well-advised to check out the other Electro Harmonix distortions for more variety, and incredible quality.
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37 opiniones de miembros sobre Electro-Harmonix Metal Muff en francés

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5 opiniones de miembros sobre Electro-Harmonix Metal Muff en inglés

Idioma	Miembro	Características	Utilización	Calidad Sonora	Opinión Global	Traducción Google
	James...					read
	yoTrakkz					read
	Everlone					read
	mooseherman					read
	MGR/Derek Mok					read

Una opinión sobre Electro-Harmonix Metal Muff en alemán

Idioma	Miembro	Características	Utilización	Calidad Sonora	Opinión Global	Traducción Google
	Djo13007					read