Lo uso desde hace 5 años. He probado muchos modelos de compresores, costosos y potentes, ¿pero para qué invertir en un preampli/compresor de 2000€ en home studio? El Penta hace un buen trabajo como preampli. Lo que más me gusta en el Focusrite es su dinámica, la calidez del sonido. Es un verdadero placer poder escuchar s...
Lo utilizo desde un mes en todas mis mezclas ahora, aun si tengo que grabar el resultado del bombo para mandar luego la snare en la mezcla...Pienso invertir en un LA3A algún día, cuyo plug me gusta mucho.He pedido otro compresor de alta gama de concepción LA2A para completar este excelente Universal Audio 1176.Lo he comprado a un ?amigo virtual?...
Lo tengo desde Navidad de 2008.Un buen aparato, de toma en mano sencilla con un sonido más que aceptable y cuya relación calidad/precio hace que es un competente serio para figurar en los racks de los principiantes en sonorización o los que tienen configuraciones pequeñas.Traducido de la opinión de Splotch en AudioFanzine en Francés
The 3632 Compressor keeps the same impressive metering of the 3630, the sidechain feature allows you to add compression in effects loops and ducking. You use this feature to trigger compression when you want it, a second internal sidechain has a switchable low-cut filter to help control pumping from heavy bass. Unusually the 3632...
Overall, I say go with this if you have some sort of a decent budget. They have been making this unit for over 15 years and they don’t plan on stopping. So you will always have the support for it, not to mention the warranty that you get through Summit I think it’s a few years. So you have nothing to worry about with your investment. it’s a pro...
Overall, this gear will work great for you. But I wouldn’t get it in today’s world with all of the software on the market. Believe me I am a old school guy, I love hardware a lot and still own a lot of hardware. But if I can clean up some space by getting rid of big rack able units I will. This just happened to be one piece that had to go. But t...
What I like most about this unit is....well everything. Excellent sound quality, it's super small and compact, it offers all the basic controls and side chaining (very important for me) with a ratio up to 25 to 1 db, and finally, it's one of the cheapest compressors on the market. You just can't go wrong. I expected to get a pretty decent s...
The original Teletronix LA-3A Audio Leveler made its debut at the 1969 New York AES show. Marking a departure from the tube design of the LA-2A Lev- eling Amplifier, the solid-state LA-3A offered a new sound in optical gain re- duction, with faster attack and release characteristics that were noticeably dif- ferent from its predecessor. Immediat...
The Lansing 438 A has built a reputation for itself as the best deal in pro audio because of the high sound quality and because it is about as cheap as you can get when buying a compressor of ANY quality! It is easy to get a good tone from this and the gain reduction metering is convenient and helpful. I love this compressor because of its high...
I've been using the RSP 2200 for about a year now. I had been previously familiar with the earlier model, which I still prefer to this one. However, it is nice to have 2 channels on this and is convenient when compression stereo pairs. What I like most about this compressor is the clean signal it produces and the amount of flexibility it has in ...
