Line 6 Verbzilla
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En mi material
Reverberaciones para Guitarra pertenece a la serie ToneCore Pedals de Line 6
Precio público: NC
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Line 6 Verbzilla : la opinión de wwhhhaatt
" verbo buen uso de múltiples"
()
Producto comprado nuevo en Enero 2007
Características
El Verbzilla es otra de la serie de Line 6 de pequeños pedales pretende emular digitalmente sonidos clásicos. Tiene estéreo 1 / 4 "entradas y salidas, DC 9V en, 5 mandos de parámetros, y un interruptor para activar o desactivar los senderos. Hay 11 modelos de reverberación incluyendo la primavera, un plato, habitación, cámara, agachándose, salón, cueva, octo , el azulejo, e incluso un eco capaz de repeticiones de retardo corto. Todo esto es en un recinto que parece pesar tanto como un ladrillo.
Ver / editar la fuente inglesa
The verbzilla is another in Line 6's series of small stomp boxes meant to digitally emulate classic sounds. It has stereo 1/4" inputs and outputs, 9v dc in, 5 parameter knobs, and a switch to turn trails on or off. There are 11 reverb models including spring, plate, room, chamber, ducking, hall, cave, octo, tile, and even an echo capable of short delay repeats. All this is in an enclosure that seems to weigh as much as a brick.
Utilización
Set-up y la marcación de un sonido son una brisa en este pedal. No hay sub-menús, ni nada de navegar. Un dial de control del modelo que está utilizando y los otros se explica por sí mismo en cuanto a cómo cambiar el sonido. El manual está bien escrito y aclara cualquier duda que pueda tener sobre el ajuste de parámetros. Realmente la única cosa que mucha gente no puede entender de inmediato es el "tiempo" perilla, ya que es algo que se ve con más frecuencia en una unidad de eco.
Ver / editar la fuente inglesa
Set-up and dialing in a sound are a breeze on this pedal. There are no sub menus or anything to navigate. One dial controls which model you are using and the others are self explanatory as to how they change the sound. The manual is well written and clears up any questions you might have about the parameter adjusting. Really the only thing most people might not immediately grasp is the "time" knob since it's something you would more often see in an echo unit.
Calidad Sonora
He utilizado el Verbzilla en una pedalera bastante grande puesta a punto para la guitarra. El by-pass en el pedal estaba bien y no el color del sonido demasiado al encendido o apagado. En un set-up del tamaño que estaba trabajando con su poco difícil de averiguar exactamente lo que está cambiando su tono y realmente si usted necesita la pureza, probablemente estaría mejor con una unidad de la primavera real, ya que el cuadro es más adecuada para el salvaje lado de reverb.The pedal también puede cortar cuando se utiliza en un bucle de efectos calientes que pueden ser motivo de ruptura para algunos.
Pasé la mayor parte de mi tiempo con la configuración de octo y la cueva, ya que fueron las más profundas reverberaciones de resonancia. El sonido octo es lo que algunos se refieren como un "brillo" del sonido. Se trata de una reverb muy grande con algunos cambio de tono que añade una octava superior muy extraña en el fondo. Cueva es exactamente lo que se puede imaginar por el nombre. Basta pensar en gritar en una cueva enorme y eso es lo que este modelo no. Sólo una gran reverberación que pueden hacer los acordes extraños sonido muy oscuro. Las reverbs más tradicionales estaban bien, pero con mi limitada experiencia con reverbs, incluso he encontrado mejores opciones para la primavera y sonidos pasillo.
Pasé la mayor parte de mi tiempo con la configuración de octo y la cueva, ya que fueron las más profundas reverberaciones de resonancia. El sonido octo es lo que algunos se refieren como un "brillo" del sonido. Se trata de una reverb muy grande con algunos cambio de tono que añade una octava superior muy extraña en el fondo. Cueva es exactamente lo que se puede imaginar por el nombre. Basta pensar en gritar en una cueva enorme y eso es lo que este modelo no. Sólo una gran reverberación que pueden hacer los acordes extraños sonido muy oscuro. Las reverbs más tradicionales estaban bien, pero con mi limitada experiencia con reverbs, incluso he encontrado mejores opciones para la primavera y sonidos pasillo.
Ver / editar la fuente inglesa
I used the verbzilla in a pretty large pedal board set-up for guitar. The bypass on the pedal was okay and it didn't color the sound too much when on or off. In a set-up the size I was working with it's kind of difficult to figure out exactly what is changing your tone and really if you need purity you would probably be better off with an actual spring unit as this box is better suited for the wilder side of reverb.The pedal can also clip when used in a hot effects loop which may be a deal breaker for some.
I spent most of my time with the octo and cave settings as they were the deepest sounding reverbs. The octo sound is what some might refer to as a "shimmer" sound. It is a very large reverb with some pitch shifting that adds a very eerie upper octave in the background. Cave is exactly what you might imagine by the name. Just think of yelling into a huge cave and that's what this model does. Just a huge reverb that can make odd chords sound very dark. The more traditional reverbs were okay but with my limited experience with reverbs even I have found better options for spring and hall sounds.
I spent most of my time with the octo and cave settings as they were the deepest sounding reverbs. The octo sound is what some might refer to as a "shimmer" sound. It is a very large reverb with some pitch shifting that adds a very eerie upper octave in the background. Cave is exactly what you might imagine by the name. Just think of yelling into a huge cave and that's what this model does. Just a huge reverb that can make odd chords sound very dark. The more traditional reverbs were okay but with my limited experience with reverbs even I have found better options for spring and hall sounds.
Opinión Global
Si usted está buscando para una amplia variedad de sonidos sin romper el banco o con demasiado espacio en un foro que debe dar a este pedal de un tiro. Era perfecto para mí en el momento en que yo no uso mucho reverb y sobre todo quería que los sonidos más salvajes de todos modos. Si lo que quieres es un sonido de reverberación muy auténtico con una derivación perfectamente claro, entonces, buscar en otro lugar. Probablemente sería más feliz con una de las reverbs malekko o algo así como una unidad de la primavera real o parte superior de la línea de léxico. Yo tenía el pedal durante unos años y nunca tuve ningún problema real con él. Finalmente me di cuenta de que realmente no necesita una reverb con todos los retrasos que tengo hasta que lo vendí. A veces me olvido de la cueva y la configuración de octo, así que podría llegar algún día a otro sólo para tener alrededor.
Ver / editar la fuente inglesa
If you are looking for a wide variety of sounds without breaking the bank or using up too much space on a board you should give this pedal a shot. It was perfect for me at the time as I don't use too much reverb and mainly wanted the more wild sounds anyway. If what you want is a very authentic reverb sound with a perfectly clear bypass then look else where. You would probably be happier with one of the malekko reverbs or something like an actual spring unit or top of the line lexicon. I owned the pedal for a few years and never had any real problems with it. I eventually just realized that I didn't really need a reverb with all the delays I have so I sold it. Sometimes I miss the cave and octo settings so I might get another someday just to have around.
Original English text: good multi use verbCharacteristics
The verbzilla is another in Line 6's series of small stomp boxes meant to digitally emulate classic sounds. It has stereo 1/4" inputs and outputs, 9v dc in, 5 parameter knobs, and a switch to turn trails on or off. There are 11 reverb models including spring, plate, room, chamber, ducking, hall, cave, octo, tile, and even an echo capable of short delay repeats. All this is in an enclosure that seems to weigh as much as a brick.
Utilization
Set-up and dialing in a sound are a breeze on this pedal. There are no sub menus or anything to navigate. One dial controls which model you are using and the others are self explanatory as to how they change the sound. The manual is well written and clears up any questions you might have about the parameter adjusting. Really the only thing most people might not immediately grasp is the "time" knob since it's something you would more often see in an echo unit.
Sound Quality
I used the verbzilla in a pretty large pedal board set-up for guitar. The bypass on the pedal was okay and it didn't color the sound too much when on or off. In a set-up the size I was working with it's kind of difficult to figure out exactly what is changing your tone and really if you need purity you would probably be better off with an actual spring unit as this box is better suited for the wilder side of reverb.The pedal can also clip when used in a hot effects loop which may be a deal breaker for some.
I spent most of my time with the octo and cave settings as they were the deepest sounding reverbs. The octo sound is what some might refer to as a "shimmer" sound. It is a very large reverb with some pitch shifting that adds a very eerie upper octave in the background. Cave is exactly what you might imagine by the name. Just think of yelling into a huge cave and that's what this model does. Just a huge reverb that can make odd chords sound very dark. The more traditional reverbs were okay but with my limited experience with reverbs even I have found better options for spring and hall sounds.
I spent most of my time with the octo and cave settings as they were the deepest sounding reverbs. The octo sound is what some might refer to as a "shimmer" sound. It is a very large reverb with some pitch shifting that adds a very eerie upper octave in the background. Cave is exactly what you might imagine by the name. Just think of yelling into a huge cave and that's what this model does. Just a huge reverb that can make odd chords sound very dark. The more traditional reverbs were okay but with my limited experience with reverbs even I have found better options for spring and hall sounds.
Overall Opinion
If you are looking for a wide variety of sounds without breaking the bank or using up too much space on a board you should give this pedal a shot. It was perfect for me at the time as I don't use too much reverb and mainly wanted the more wild sounds anyway. If what you want is a very authentic reverb sound with a perfectly clear bypass then look else where. You would probably be happier with one of the malekko reverbs or something like an actual spring unit or top of the line lexicon. I owned the pedal for a few years and never had any real problems with it. I eventually just realized that I didn't really need a reverb with all the delays I have so I sold it. Sometimes I miss the cave and octo settings so I might get another someday just to have around.
