Al final pensaba que lo iba a usar más, pero no. Es un pequeño plug-in simpático, pero desgraciadamente no vale su precio, una pena... Me parece más que sea más un chisme o una rueda de recambio en situaciones extremas, que un verdadero efecto innovador.
Un plug-in realmente terrible, un sonido que se acerca mucho de la versión material (da una idea de la calidad de la compresión). En resumen, creo que es mi compresor software preferido.Me encanta su sonido, su diseño que reproduce la máquina de manera muy fiel, la interfaz es clara, los presets muy bien hechos. He probado miles de compresores s...
Lo utilizo desde un mes en todas mis mezclas ahora, aun si tengo que grabar el resultado del bombo para mandar luego la snare en la mezcla...Pienso invertir en un LA3A algún día, cuyo plug me gusta mucho.He pedido otro compresor de alta gama de concepción LA2A para completar este excelente Universal Audio 1176.Lo he comprado a un ?amigo virtual?...
Overall, the LA 610 is worth every single penny if you can afford it. If you look around online you can get it in a package with a mic too. That’s probably the best deal instead of just paying that much just for the channel strip itself you mine as well get a mic too. The Universal Audio LA 610 is great and versatile. You will have no complaint...
The EMT 250 was the first digital reverberation device to create ambience through a purely electronic system. With its single reverb program and iconic lever-driven control surface, the EMT 250 is still an indis- pensable tool within the record-making elite and is widely considered one of the best-sounding reverbs ever made. Although only around...
Universal Audio’s uncanny representation of that unmistakable sound can be found in the EMT 140 plug-in. Measured and analyzed by UA’s DSP circuit modeling experts and then tuned by ear over a four month period, the EMT 140 replicates the sonic signature of three uniquely different EMT 140s for- merly installed at the Plant Studios in Sausalito,...
The Precision Enhancer Hz allows the user to selectively add upper harmonics to bass fundamentals, sometimes referred to as “phantom bass.” This signifi- cantly enhances the perception of low-end energy beyond the conventional frequency response of small speakers. These harmonics stimulate a psychoa- coustic bass-enhancing effect in the listener...
In 2001, Neve launched the 88 Series: A new, large-format analog console that represented the best of all Neve designs that came before it. Considered the ultimate console for modern features and reliability, it is also heralded as one of the best-sounding consoles ever made by veterans of both the audio and film communities. The 88RS has found ...
The Precision Buss Compressor is a dual-VCA-type dynamic processor that yields modern, transparent gain reduction characteristics. It is specifically designed to “glue” mix elements together for that cohesive and polished sound typical of master section console compressors. A flexible and intuitive tool, the Precision Buss Compressor is intended...
If UA were able to conceive a product with Moog, what would it be? The answer is revealed in the new UAD Moog Multimode Filter, which delivers the first truly analog-sounding VCF (voltage controlled filter) emulation made for mixing, performing, creating, or destroying. The Moog Multimode Filter is a ‘digital-only’ tabletop filter set that combi...
